Comments on: Trifonic: Editing Beats – Part 2 http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/ Electronic music production tutorials by Trifonic Thu, 03 Nov 2011 17:36:00 -0700 hourly 1 http://wordpress.org/?v=3.0.5 By: Morphido http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-130 Morphido Mon, 18 Jan 2010 18:34:50 +0000 http://nextstepaudio.com/?p=27#comment-130 All is being VERY interesting! Really! Only adding any idea, I would like to know any technic or inspirational factor for your acoustic parts, that guitars are beautiful! <br>Trifonic and Emergence is becoming my best example of modern electronic music experience! :)<br><br>Cheers,<br>morphido All is being VERY interesting! Really! Only adding any idea, I would like to know any technic or inspirational factor for your acoustic parts, that guitars are beautiful!
Trifonic and Emergence is becoming my best example of modern electronic music experience! :)

Cheers,
morphido

]]> By: Morphido http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-350 Morphido Mon, 18 Jan 2010 18:34:50 +0000 http://nextstepaudio.com/?p=27#comment-350 All is being VERY interesting! Really! Only adding any idea, I would like to know any technic or inspirational factor for your acoustic parts, that guitars are beautiful! <br>Trifonic and Emergence is becoming my best example of modern electronic music experience! :)<br><br>Cheers,<br>morphido All is being VERY interesting! Really! Only adding any idea, I would like to know any technic or inspirational factor for your acoustic parts, that guitars are beautiful!
Trifonic and Emergence is becoming my best example of modern electronic music experience! :)

Cheers,
morphido

]]> By: monkdream http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-74 monkdream Sun, 10 Jan 2010 15:41:55 +0000 http://nextstepaudio.com/?p=27#comment-74 Hello Brain.<br><br>Thanks a lot for your answers. This helps a lot! <br><br>It's exactly like Peter Kirn writes on his blogs when posting about your site :"Part of what makes this tutorial compelling is that the duo has a distinctive musical identity, rather than being the anonymous, all-knowing voice music tech instructors had tried to be in the past"<br><br>I really hope you keep on posting here.<br><br>L. Hello Brain.

Thanks a lot for your answers. This helps a lot!

It's exactly like Peter Kirn writes on his blogs when posting about your site :”Part of what makes this tutorial compelling is that the duo has a distinctive musical identity, rather than being the anonymous, all-knowing voice music tech instructors had tried to be in the past”

I really hope you keep on posting here.

L.

]]> By: monkdream http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-315 monkdream Sun, 10 Jan 2010 15:41:55 +0000 http://nextstepaudio.com/?p=27#comment-315 Hello Brian.<br><br>Thanks a lot for your answers. This helps a lot! <br><br>It's exactly like Peter Kirn writes on his blogs when posting about your site :"Part of what makes this tutorial compelling is that the duo has a distinctive musical identity, rather than being the anonymous, all-knowing voice music tech instructors had tried to be in the past"<br><br>I really hope you keep on posting here.<br><br>L. Hello Brian.

Thanks a lot for your answers. This helps a lot!

It's exactly like Peter Kirn writes on his blogs when posting about your site :”Part of what makes this tutorial compelling is that the duo has a distinctive musical identity, rather than being the anonymous, all-knowing voice music tech instructors had tried to be in the past”

I really hope you keep on posting here.

L.

]]> By: briantrifon http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-72 briantrifon Sun, 10 Jan 2010 01:53:51 +0000 http://nextstepaudio.com/?p=27#comment-72 Yeah I cut the loop at the strict beat division and then adjust the start point of each region ... that puts the correct start point right on the beat division. Definitely turn off "snap edits to zero crossing" in the sample editor. I don't use fade outs unless I hear a click and it bothers me. If I don't hear a click or if the click sounds good I don't do a fade out. There usually isn't a need for a fade in, because in the case of percussion sounds, the transient is very punchy anyway and if it clicks it often brings out the transient even more. It depends on the material though. Yeah I cut the loop at the strict beat division and then adjust the start point of each region … that puts the correct start point right on the beat division. Definitely turn off “snap edits to zero crossing” in the sample editor. I don't use fade outs unless I hear a click and it bothers me. If I don't hear a click or if the click sounds good I don't do a fade out. There usually isn't a need for a fade in, because in the case of percussion sounds, the transient is very punchy anyway and if it clicks it often brings out the transient even more. It depends on the material though.

]]> By: briantrifon http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-314 briantrifon Sun, 10 Jan 2010 01:53:51 +0000 http://nextstepaudio.com/?p=27#comment-314 Yeah I cut the loop at the strict beat division and then adjust the start point of each region ... that puts the correct start point right on the beat division. Definitely turn off "snap edits to zero crossing" in the sample editor. I don't use fade outs unless I hear a click and it bothers me. If I don't hear a click or if the click sounds good I don't do a fade out. There usually isn't a need for a fade in, because in the case of percussion sounds, the transient is very punchy anyway and if it clicks it often brings out the transient even more. It depends on the material though. Yeah I cut the loop at the strict beat division and then adjust the start point of each region … that puts the correct start point right on the beat division. Definitely turn off “snap edits to zero crossing” in the sample editor. I don't use fade outs unless I hear a click and it bothers me. If I don't hear a click or if the click sounds good I don't do a fade out. There usually isn't a need for a fade in, because in the case of percussion sounds, the transient is very punchy anyway and if it clicks it often brings out the transient even more. It depends on the material though.

]]> By: Laurent http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-71 Laurent Sat, 09 Jan 2010 19:04:19 +0000 http://nextstepaudio.com/?p=27#comment-71 Yes I agree with everyone above ... Great way to present things!<br><br>Just 3 questions regarding the cut-up process. <br><br>- What you do in the first cutting part is really to set every hit to a strict beat division ?<br>- In the sampler window have you set the "snap edits to zero crossing" ?<br>- and you don't use fade ins/outs even one the longer regions ? Is this because the tempo is too fast ?<br><br>L. Yes I agree with everyone above … Great way to present things!

Just 3 questions regarding the cut-up process.

- What you do in the first cutting part is really to set every hit to a strict beat division ?
- In the sampler window have you set the “snap edits to zero crossing” ?
- and you don't use fade ins/outs even one the longer regions ? Is this because the tempo is too fast ?

L.

]]> By: Laurent http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-313 Laurent Sat, 09 Jan 2010 19:04:19 +0000 http://nextstepaudio.com/?p=27#comment-313 Yes I agree with everyone above ... Great way to present things!<br><br>Just 3 questions regarding the cut-up process. <br><br>- What you do in the first cutting part is really to set every hit to a strict beat division ?<br>- In the sampler window have you set the "snap edits to zero crossing" ?<br>- and you don't use fade ins/outs even one the longer regions ? Is this because the tempo is too fast ?<br><br>L. Yes I agree with everyone above … Great way to present things!

Just 3 questions regarding the cut-up process.

- What you do in the first cutting part is really to set every hit to a strict beat division ?
- In the sampler window have you set the “snap edits to zero crossing” ?
- and you don't use fade ins/outs even one the longer regions ? Is this because the tempo is too fast ?

L.

]]> By: briantrifon http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-47 briantrifon Thu, 07 Jan 2010 00:27:19 +0000 http://nextstepaudio.com/?p=27#comment-47 Thanks for the comment. Fortunately the majority of cool sounds and techniques are based on simple ideas and concepts. The hard part is getting everything to work together, express emotion and musically create something meaningful :) Thanks for the comment. Fortunately the majority of cool sounds and techniques are based on simple ideas and concepts. The hard part is getting everything to work together, express emotion and musically create something meaningful :)

]]> By: briantrifon http://nextstepaudio.com/drums/trifonic-editing-beats-part-2/comment-page-2/#comment-318 briantrifon Thu, 07 Jan 2010 00:27:19 +0000 http://nextstepaudio.com/?p=27#comment-318 Thanks for the comment. Fortunately the majority of cool sounds and techniques are based on simple ideas and concepts. The hard part is getting everything to work together, express emotion and musically create something meaningful :) Thanks for the comment. Fortunately the majority of cool sounds and techniques are based on simple ideas and concepts. The hard part is getting everything to work together, express emotion and musically create something meaningful :)

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